Our Master Class Leaders
Every year, the Stulberg International String Competition welcomes renowned professional musicians to lead our Master Classes. These Master Class Clinicians all have years of experience performing in well-known groups, collaborating with other professionals, and teaching others through their love of music. When you take our Master Class, you will experience a music class of a lifetime, learning all the skills you can from the best. Learn more about this year’s Master Class clinicians by reading their bios below.
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Lei Wei Qin, cello
Sponsored by Zhang Financial
An exclusive Universal Music China Artist, Li-Wei Qin has appeared all over the world as a soloist and as a chamber musician. After achieving great success at the 11th Tchaikovsky International Competition where he was awarded the Silver Medal, Li-Wei has since won the First Prize in the prestigious 2001 Naumburg Competition in New York. “A superbly stylish, raptly intuitive performer” Gramophone Magazine, January 2015) was the description of the cellist’s Elgar and Walton concerti recording with the London Philharmonic.
Highlights in the 2017/18 season includes debut with the London Symphony, Russian Philharmonic, Czech Chamber and Brussels Chamber Orchestras. Return visits to the China Philharmonic, Guangzhou Symphony and Melbourne Symphony Orchestras.
Two times soloist at the BBC Proms in London’s Royal Albert Hall, Li-Wei has enjoyed successful artistic collaborations with many of the world’s great orchestras including all the BBC symphony orchestras, the Los Angeles philharmonic, London Philharmonic, the Rundfunk-Sinfonieorchester Berlin, the NDR-Sinfonierorchester Hamburg, the Konzerthausorchester Berlin, the Basel Symphony, the Prague symphony, the Osaka Philharmonic, Hong Kong Philharmonic, China Philharmonic, the Sydney Symphony and Melbourne Symphony among many others. Leading conductors with whom he has worked include Vladimir Ashkenazy, Sir Andrew Davis, Marek Janowski, Jaap Van Zweden, Jiri Belohlavek, Jan Pascal Totelier, Hans Graf, Yu Long, the late Machello Viotti and the late Lord Menuhin. Li-Wei has also appeared with chamber orchestras such as the Kremerata Baltika, Sinfonia Vasovia, the Munich, the Zurich, the Australian Chamber Orchestras.
In recital and chamber music, Li-Wei is a regular guest at the Wigmore Hall and for the Lincoln Center Chamber Music Society, New York. He has appeared at the BBC Proms, the Rheinghau, the City of London, the Schlewigs-Holstein and the Mecklenburg Festivals. Li-Wei has collaborated with musicians such as Daniel Hope, Nabuko Imai, Misha Maisky, David Finckel, Wu Han, Vladimir Mendelssohn and Peter Frankel, among many others.
Li-Wei’s recordings on Universal Music/Decca include the complete Beethoven Sonatas, Works of Rachmaninov with pianist Albert Tiu, Dvořàk Concerto with Singapore Symphony Orchestra and conductor Lan Shui and Elgar/Walton Concerti with the London Philharmonic. Most recently, courtesy of Universal Music, Li-Wei’s 2013 live concert with the Shanghai Symphony and Maestro Yu Long has been released on Sony Classical.
Born in Shanghai Li-Wei moved to Australia at the age of 13, before accepting scholarships to study with Ralph Kirshbaum at the Royal Northern College of Music, Manchester and with David Takeno at the Guildhall School of Music and Drama, London. He was invited to join the BBC ‘New Generations’ scheme in 2001 and in 2002, Li-Wei received the Young Australian of the Year Award. Other major invitations included appearances at both the 2008 Beijing Olympics (New Zealand Symphony), 2012 London Olympics and the Davos World Economics Forum (Basel Symphony Orchestra).
Prior to teaching at the YST Conservatory, Li-Wei was a professor of cello at the Royal Northern College of Music, Manchester. He is also a guest professor at Shanghai and Central Conservatory of Music in China. Li-Wei plays a 1780 Joseph Guadagnini cello, generously loaned by Dr and Mrs Wilson Goh.
www.liweiqin.com
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Caroline Coade, viola
Caroline Coade is a violist with the Detroit Symphony Orchestra and served as the Acting Assistant Principal Viola for the 2013–2016 seasons. Prior to her appointment in 1996 with the DSO, Coade performed regularly with the Philadelphia Orchestra, the New York Philharmonic, and held positions with Concerto Soloists Chamber Orchestra (Philadelphia) and the opera companies of Philadelphia and Santa Fe.
Equally at home teaching as she is on the concert stage, Coade is a passionate educator who was named Assistant Professor of Viola at the University of Michigan School of Music, Theatre, and Dance (SMTD) in 2016. Her students have won top prizes in many competitions including third prize in the 2019 Sphinx Competition, semi-finalist in the 2019 Lionel Tertis International Viola Competition, first prize of the Society of Musical Arts 2019 Young Artist Competition, and finalist of the 2018 Anton Rubinstein International Viola Competition. Previously, she was a Lecturer in Viola at the SMTD since 2005 and was Adjunct Professor of Viola at Wayne State University from 1998–2015.
As a judge, Coade was one of nine international adjudicators for the Primrose International Viola Competition final rounds. In 2018, she was one of five judges for the prescreen round of the Primrose Competition. Continuing her advocacy for the arts and education, Coade spends her summers as artist faculty as summer music festivals. She has served on the faculty of the Center Stage Strings/MPulse Institute at the University of Michigan for summers 2016–2019 and has been on the faculty of the Hilton Head Chamber Music Institute in South Carolina since the summer of 2018. In the summer of 2019, Coade joined the faculty of Green Mountain Chamber Music Festival in VT. Previous artist faculty roles include the Chautauqua Institution Music Festival in New York (2012–2015), the Bowdoin International Music Festival in Maine (2012–2015), and at the National Music Festival in Chestertown, Maryland (2011–2013).
Coade has given masterclasses at the Colburn Conservatory (CA), the Oberlin Conservatory (OH), Boston University (MA), Longy School of Music (MA), Baylor University (TX), and Michigan State University. Her students have won coveted spots in renowned music schools including The Curtis Institute of Music, The Juilliard School, Rice University, Indiana University, Oberlin Conservatory, Boston University, Cleveland Institute of Music, the University of Michigan, New England Conservatory, and Yale University.
In 2016, Coade was named the Artistic Director for WRCJ 90.9FM’s Classical Brunch Chamber Music Series at the Community House in Birmingham, Michigan. In this role, Coade curates the programs, does radio voiceover work to advertise the series, and performs. As a chamber musician, Coade regularly plays with her colleagues at the Detroit Symphony and the University of Michigan, and with her colleagues at summer music festivals. Coade has performed at the Great Lakes Chamber Music Festival (MI), the Laurel Festival of the Arts (PA), and the Marlboro Music Festival (VT). As violist with the Woodland Trio (flute, viola, harp), she concertized around the US, Canada, and at the Printemps Musicale des Alizes of Morocco.
A San Diego, California native, Coade began taking Suzuki violin lessons at age six and switched to the viola at age 14. She graduated from the Interlochen Arts Academy (MI) and went on to receive a Bachelor of Music from the Oberlin Conservatory, an Artist Diploma from The Curtis Institute of Music, and a Master of Music from The Juilliard School. Her principal teachers include Karen Tuttle, Joyce Robbins, Jeffrey Irvine, David Takeno, David Holland, and Eugene Becker.
Coade plays on a Domenico Busan viola c. 1750 on generous loan from The Mandell Collection of Southern California.
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Rachel Barton Pine, violin
Heralded as a leading interpreter of the great classical masterworks, violinist Rachel Barton Pine thrills audiences with her dazzling technique, lustrous tone, and emotional honesty. With an infectious joy in music-making and a passion for connecting historical research to performance, Pine transforms audiences’ experiences of classical music.
Pine performs with the world’s leading orchestras including the Philadelphia Orchestra, Royal Philharmonic Orchestra, Camerata Salzburg, and the Chicago, Vienna, and Detroit Symphony Orchestras. She has worked with renowned conductors, including Teddy Abrams, Marin Alsop, Daniel Barenboim, Semyon Bychkov, Neeme Järvi, Christoph Eschenbach, Erich Leinsdorf, Nicholas McGegan, Zubin Mehta, Tito Muñoz, and John Nelson, and has performed chamber music with Jonathan Gilad, Clive Greensmith, Paul Neubauer, Jory Vinikour, William Warfield,
Orion Weiss, and the Pacifica and Parker Quartets.
This summer and 2023/24 season, Pine joins the Los Angeles Philharmonic and Stéphane Denève at the Hollywood Bowl, in addition to highlight performances with the Royal Scottish National Orchestra and recital appearances at the Kennedy Center and Festival Internacional de Música de Guadalajara, among many others performances of repertoire ranging from Early
Music to romantic and contemporary.
She has recorded over 40 acclaimed albums, many of which have hit the top of the charts. In August 2023, Cedille Records released Dependent Arising, featuring concertos by Shostakovich and Earl Maneein performed with the Royal Scottish National Orchestra (RSNO) and Tito Muñoz. Other recent records include Violin Concertos by Black Composers Through the Centuries: 25th Anniversary Edition (September 2022) with the RSNO and Jonathon Heyward, and Malek Jandali: Concertos (March 2023) with the Vienna Symphony Orchestra and Marin
Alsop.
She frequently performs music by contemporary composers, including major works written for her by Billy Childs, Mohammed Fairouz, Marcus Goddard, Earl Maneein, Shawn Okpebholo, Daniel Bernard Roumain, José Serebrier, and Augusta Read Thomas. In addition to her career as a soloist, she is an avid performer of baroque, renaissance, and medieval music on baroque violin, viola d’amore, renaissance violin, and rebec.
She has appeared on The Today Show, CBS Sunday Morning, CNN, PBS NewsHour, A Prairie Home Companion, and NPR’s Tiny Desk. She holds prizes from several of the world’s leading competitions, including a gold medal at the 1992 J.S. Bach International Violin Competition in Leipzig, Germany. Her RBP Foundation assists young artists through its Instrument Loan Program and Grants for Education and Career, and since 2001, has run the groundbreaking Music by Black Composers
project.
She performs on the “ex-Bazzini, ex-Soldat” Joseph Guarnerius “del Gesù” (Cremona 1742), on lifetime loan from her anonymous patron.
rachelbartonpine.com